荷花入詩，情彩飛揚，雅俗共賞，有人借荷香淡淡抒發(fā)清閑散淡情懷，有人借荷花艷艷展示生命意趣，有人借荷花生死傾訴相思苦情……凡此種種，多姿多彩，荷為人而生，文因荷而貴，人荷相映，演繹了一首首洋溢著生命情愫的華彩詩章。

Lotus into poetry, love and color flying, refined and popular appreciation, some people use lotus fragrance light to express leisure and light feelings, some people use lotus gorgeous display life interest, some people use lotus life and death to tell Acacia bitterness All of these, colorful, the lotus is born for people, the article is expensive because of the lotus, people and the lotus match, deduce a colorful poem full of life feelings.

清閑散淡之花。孟浩然的《夏日南亭懷辛大》抒寫詩人夏夜水亭納涼的清爽閑適和對友人的懷念之情。“山光忽西落，池月漸東上。散發(fā)乘夕涼，開軒臥閑敞。荷風送香氣，竹露滴清響。欲取鳴琴彈，恨無知音賞。感此懷故人，中霄勞夢想?！币弧⒍删溆鼍叭朐?，融情于景。夕陽西下，素月東升，“夏日”可畏而“忽”落，明月可愛而“漸”起，一快一慢凸現詩人的愉悅心理。三、四兩句即事抒懷，活靈活現。詩人沐浴之后，洞開亭戶，披頭散發(fā)，靠窗而臥，逍遙自在，令人羨慕。五、六兩句細化身心快感。清風送爽，荷花飄香，如絲如縷，沁人心脾；翠竹滴露，清脆悅耳，如絲如箏，清幽絕俗。寫荷以“氣”，寫竹以“響”，意境幽深靜謐，情調高雅別致，荷香和佳竹巧妙地烘托出詩人悠然自得，閑適自樂的素淡情懷，為下文抒發(fā)詩人渴盼知音，懷想故人創(chuàng)設了氛圍。

The flower of leisure. Meng Haoran's "summer South Pavilion with Xinda" describes the poet's cool and comfortable summer night Water Pavilion and his nostalgia for friends. "The mountain light suddenly falls in the west, and the moon rises in the East. It's cool in the evening. It's open and open. The lotus wind sends the fragrance, and the bamboo dew drips. If you want to play the piano, you hate the sound of ignorance. I feel that I have a dream of cherishing my old friend. " 1、 Two sentences are chanted when they meet the scenery, and they integrate feelings with the scenery. When the sun sets in the West and the moon rises in the East, the "summer" can be feared and "suddenly" falls, and the bright moon is lovely and "gradually" rises, which shows the poet's pleasant psychology quickly and slowly. 3、 Four or two sentences express their feelings and are vivid. After the poet bathed, he opened the pavilion, spread his hair, and lay by the window. He was at ease and enviable. 5、 Six or two sentences refine physical and mental pleasure. The wind is fresh, the lotus is fragrant, like silk, refreshing; the bamboo dew is crisp and sweet, like silk, like zither, quiet and unique. Writing lotus with "Qi", writing bamboo with "ring", the artistic conception is deep and quiet, the sentiment is elegant and unique, lotus fragrance and good bamboo ingeniously set off the poet's simple feelings of carefree and happy, which creates an atmosphere for the following expression of the poet's longing for friends and nostalgia for his old friends.

青春意趣之花。王昌齡的《采蓮曲二首》（其二）刻繪田田荷葉之中、艷艷荷花之下采蓮少女的美麗形象，意境優(yōu)美，情調歡快。“荷葉羅裙一色裁，芙蓉向臉兩邊開。亂入池中看不見，聞歌始覺有人來?！币弧⒍删鋵懺娙藖辛⒛?，人花一體，難以分辨的情景。羅裙舒展，綠如荷葉，宛見采蓮少女亭亭玉立之姿；笑臉相迎，艷若荷花，如睹采蓮少女歡聲笑語之態(tài)。荷葉羅裙，人面荷花，渾然一體，相映成趣，乍一看去，幾乎分辨不清孰為荷葉，孰為羅裙，哪是荷花，哪是臉龐。這些采蓮女子簡直就成了美麗大自然的一部分，或者說竟是荷花精靈！三、四兩句寫詩人眼花繚亂之際，走神錯意之時的意外發(fā)現，展示青春少女的無限活力。采蓮少女與綠荷紅蓮融為一體，忽然不見蹤影，詩人踟躕悵惘，驚奇不已。可是，沒過多久，蓮塘之中歌聲四起，熱鬧非凡，詩人這才恍然大悟，原來那些“看不見”的采蓮女子仍然在這綠葉紅花的荷塘之中，仿佛是和詩人這樣的觀望者開了個玩笑。這群江南女子啊，聰明美麗，天真活潑，出沒綠波紅花之中，歌唱勞動，歌唱生活，充滿著青春活力。從她們身上，我們看到了一種如荷飄香，如花美麗的青春風采。

The flower of youth. Wang Changling's two lotus picking songs (2) depicts the beautiful image of the girl picking lotus under the lotus leaves and the gorgeous lotus flowers, with beautiful artistic conception and happy mood. "The lotus leaf skirt is cut in one color, and hibiscus opens to both sides of the face. I can't see it in the pool. When I hear the song, I feel that someone is coming. " 1、 The poet stands and stares at the scene where human beings and flowers are integrated and indistinguishable. The skirt is stretched out, green as lotus leaf, just like the graceful posture of the girl picking lotus; the smiling face greets, just like the lotus flower, just like the laughter and laughter of the girl picking lotus. Lotus leaf skirt and human face lotus are integrated into a whole. At first glance, it's almost impossible to distinguish which is lotus leaf, which is Luo skirt, which is lotus, which is face. These lotus picking women have become part of the beautiful nature, or even the lotus spirit! 3、 When the poet is dazzled and distracted, the unexpected discovery shows the infinite vitality of the young girl. The young girl picking lotus and the green lotus and the red lotus are integrated. Suddenly, they are gone. The poet hesitates and feels disappointed and surprised. However, it wasn't long before the lotus pond was full of songs and bustling, and the poet realized that those "invisible" Lotus picking women were still in the pond with green leaves and red flowers, as if they had made a joke with the spectators like the poet. This group of women in the south of the Yangtze River are smart, beautiful, innocent and lively. They come and go among the green waves and red flowers, singing about labor and life. They are full of youth and vitality. From them, we see a kind of beautiful youth style like lotus fragrance and flowers.

相思愁苦之花。孟郊的《怨詩》以癡心傻氣的想象來抒發(fā)女主人公愁苦深重的相思之情。“試妾與君淚，兩處滴池水?？慈≤饺鼗ǎ衲隇檎l死！”兩地相思的閑愁苦恨是看不見，摸不著的，也是沒大小，沒體積，不具形象的東西，測定起來很不容易，可是詩中女主人公卻異想天開：試把我們兩個人的眼淚，分別滴在荷花池中，看一看今夏美麗的荷花被誰的淚水浸泡而死。顯然，在她心目中看來，誰滴的淚多，誰的淚更苦澀，荷花就將為誰而“死”，那么，誰的相思之情更深，自然也就測定出來了。比試滴淚，滴淚成池，淚淹芙蓉，見證愛情，此等癡心透骨的情語非性情中人不能設想。出污泥而不染的“芙蓉花”成了男女主人公相思離情的可靠見證。李商隱的《板橋曉別》化用典故，抒寫情人的離別苦情。“回望高城落曉河，長亭窗戶壓微波。水仙欲上鯉魚去，一夜芙蓉紅淚多?！币弧⒍删溥h眺近觀，點明離別的時間、地點和朦朧奇幻的環(huán)境氛圍。三、四兩句分別化用典故寫行者和送者。“水仙”句暗用琴高事。《列仙傳》上說，琴高是戰(zhàn)國時趙人，行神仙道術，曾乘赤鯉來，留月余復入水而去，詩人此處把遠行之人比著乘鯉凌波而去的水仙，化實為虛，奇幻天真?！凹t淚”句暗用薛靈蕓事。據《拾遺記》記載，魏文帝美人薛靈蕓離別父母登車上路，用玉唾壺承淚，壺呈紅色，到了京師壺中淚凝如血，詩人此處將送行者（女主人公）暗喻為水中芙蓉，以表現了她的紅潤美艷；又由紅色芙蓉進而想象出它的淚也應該是“紅淚”。這樣，一朵艷艷芙蓉勾畫出了俏麗佳人泣血神傷的情景。

The flower of lovesickness and sorrow. Meng Jiao's poem of resentment expresses the heroine's deep and sad love for each other with his silly imagination. "Try your tears, two drops of water. See who died this year! " It's hard to measure the things that are invisible, untouchable, without size, volume or image, but the heroine in the poem is whimsical: try to drop the tears of the two of us into the lotus pool, and see who soaked the beautiful lotus this summer to die. Obviously, in her mind, whoever drips more tears, whose tears are more bitter, the lotus will "die" for whom, then, whose love is deeper, naturally will be determined. The competition teardrop, teardrop into a pool, teardrop flooded lotus, witness love, such infatuated love language can not be imagined. The "hibiscus flower" which is out of the mud but not dyed has become a reliable witness of the hero and heroine's lovesickness and separation. Li Shangyin's "Banqiao xiaobie" uses allusions to express the bitterness of his lover's parting. "Looking back at the Luoxiao River in Gaocheng, the window of Changting is pressed with microwave. Narcissus want to go to carp, one night Hibiscus red tears 1、 Look far and close, and point out the time and place of departure and the hazy and fantastic environment. 3、 The four sentences are divided into two parts: the writer and the giver. The phrase "Narcissus" is used to make things higher. According to the biography of the immortals, Qin Gao was born in the Zhao Dynasty during the Warring States period. He used to travel by red carp and return to the water for more than a month. Here, the poet compares the people who traveled far with the Narcissus who went by the carp Lingbo and turns them into virtual, magical and naive. "Red tears" sentence uses Xue Lingyun. According to the records of the collection of cultural relics, Xue Lingyun, a beauty of emperor Wei Wendi, left her parents and went on the road. She used a jade spit pot to carry her tears. The pot was red. When she arrived at the capital pot, the tears were like blood. Here, the poet alluded to the sender (heroine) as lotus in the water to show her rudeness and beauty. From the red lotus, she imagined that her tears should also be "red tears". In this way, a gorgeous Hibiscus depicts the scene of a beautiful woman crying.