“有一種小說學(xué)，小說有一定的寫法，一定要具備某幾種東西，一定學(xué)得像巴爾扎克或契訶夫的作品那樣。我不相信這一套，有各式各樣的作者，有各式各樣的小說?！?/p>

"There is a kind of novel study. A novel has a certain writing method. It must have certain kinds of things. It must be like the works of Balzac or Chekhov. I don't believe in this. There are all kinds of writers, all kinds of novels. "

——蕭紅

-- Xiao Hong

也許正是因?yàn)樾蕾p蕭紅女士這種不凡的寫作風(fēng)格，欣賞她雖然短暫但卻充實(shí)飽滿的生活而被她的小說深深吸引。

Maybe it's because of her extraordinary writing style and her short but full life that she is deeply attracted by her novels.

今年寒假有幸讀了以她其中一篇代表作《小城三月》為名的同名小說集，我這才發(fā)現(xiàn)自己已經(jīng)漸漸走進(jìn)了她的世界，才開始真正地認(rèn)識(shí)蕭紅，理解她的精神。

This winter vacation, I have the honor to read the collection of novels of the same name, which is one of her representative works "little town March". I found that I had gradually entered her world, and began to really understand Xiao Hong and her spirit.

無論從《手》到《牛車上》到《山下》到《后花園》到《小城三月》到《呼蘭河傳》我都可以真切地感受到她自身的獨(dú)特氣質(zhì)和她本人對(duì)于小說的不同的詮釋方式。就像她自己所說的那樣，她并不拘泥于千篇一律的、格式化的小說。她認(rèn)為人應(yīng)該用自己的方式來理解文學(xué)，表現(xiàn)文學(xué)。她在《小城三月》中的每一篇作品都表現(xiàn)了她的獨(dú)創(chuàng)性。蕭紅女士深具沖破現(xiàn)存小說格局的魄力。她成功地打破了介于小說與非小說之間的厚障重壁，創(chuàng)造出了一種介于小說與散文詩(shī)之間的新形式。然而她的作品也不失那種女性作家特有的纖細(xì)敏銳。她的描寫精致別樣，使我們能深刻感受到她的作品包含的巨大文化含量和獨(dú)特的生命體驗(yàn)。

I can really feel her own unique temperament and her own different interpretations of the novel, no matter from the hand to the ox cart to the foot of the mountain, the back garden, the small town in March and the story of Hulan River. As she said, she didn't cling to stereotyped novels. She thinks that people should understand literature and express literature in their own way. Each of her works in little town March shows her originality. Ms. Xiao Hong has the courage to break through the existing novel pattern. She has successfully broken the thick barrier between fiction and non fiction, and created a new form between fiction and prose poetry. However, her works are not short of the specific delicacy of female writers. Her description is exquisite and different, which enables us to deeply feel the huge cultural content and unique life experience contained in her works.

而給我印象最深的是《手》。她所描述的不僅僅是一雙普通的手。它被“發(fā)黑”、“發(fā)青”這兩個(gè)詞概括地淋漓盡致。這雙手在文章的開頭就已給人深刻的印象，甚至讓人在開始就產(chǎn)生了一種厭惡感。這雙手貫穿了小說的始終，它幾乎成了這篇小說中的專有名詞，也成了主人公的代名詞。然而作者要表達(dá)的不僅僅只是這么一雙特殊的令人厭惡的手，也不是為了讓人厭惡而塑造這么一個(gè)人物。她述說了一個(gè)出身農(nóng)村染房的鄉(xiāng)村女孩來城市學(xué)習(xí)的一段經(jīng)歷。然而，這個(gè)人物自始至終都受到人們的歧視。雖然她付出比別人更多的努力但依然無法改變?nèi)藗儗?duì)她的看法。她所得到的只有嘲諷。她及她的父親帶著希望來到學(xué)校，卻滿載失望地離開。似乎這雙發(fā)黑發(fā)青的手就是她的身份證。然而她就像永遠(yuǎn)無法洗凈那雙被顏料玷污的手一樣，永遠(yuǎn)無法改變那些所謂城里人對(duì)她的根深蒂固的偏見。

And the one that impresses me most is hand. What she describes is not just a pair of ordinary hands. It is summed up vividly by the words "blackening" and "cyaning". These hands have been impressive at the beginning of the article, and even made people have a sense of disgust at the beginning. These hands run through the whole novel. They almost become the proper nouns in the novel and the pronoun of the protagonist. However, what the author wants to express is not only such a pair of special disgusting hands, nor to create such a character for disgust. She narrated a rural girl who came from the countryside to study in the city. However, the character has been discriminated against all the time. Although she put in more efforts than others, she still can't change people's views on her. All she got was sarcasm. She and her father came to school with hope, but left disappointed. It seems that these black and blue hands are her ID card. However, just as she will never be able to clean the hands stained with paint, she will never be able to change the so-called urban people's deep-rooted prejudice against her.

文章以語(yǔ)言描寫為主要的表達(dá)方式。校長(zhǎng)對(duì)她的陰冷的語(yǔ)氣，同學(xué)們尖酸的諷刺，以及她質(zhì)樸、厚道的話語(yǔ)和父親對(duì)女兒充滿希望的語(yǔ)言塑造出了一個(gè)個(gè)人物的形象。文中許多極為細(xì)致的神態(tài)描寫也生動(dòng)得表現(xiàn)出了人物的心理話。而文章也以“我”的心里變化為線索?！拔摇睆膶?duì)她有一種莫名的抗拒到對(duì)她有一絲好感到她離開時(shí)的一線惋惜，表現(xiàn)了“我”的無奈、同情。這雙手將永遠(yuǎn)留在我的腦海中，它不僅向我展現(xiàn)了這些人物，也向我展現(xiàn)了如此一個(gè)社會(huì)，如此一種氛圍，留給人無限的思考空間。

The article takes language description as the main way of expression. The headmaster's gloomy tone towards her, the students' sharp satire, her simple and kind words and her father's hopeful language towards her daughter have shaped the image of each character. In this paper, a lot of very detailed description of the air also vividly shows the characters' psychological words. And the article also takes the change of my heart as the clue. "I" from a kind of inexplicable resistance to her to a line of regret when she left, showing "I" helplessness and sympathy. These hands will remain in my mind forever. They not only show me these characters, but also show me such a society, such an atmosphere, leaving people infinite thinking space.

而這本小說集中的每一篇作品都是值得一讀的。不管是《小城三月》還是《曠野的呼喊》等等都與如今這個(gè)快節(jié)奏的繁華世界全然不同。它似乎帶著我走進(jìn)了不同的世界，讓我去了解一種風(fēng)俗，一種文化，一個(gè)社會(huì)，一種生活……顯然，這種筆觸與如今商業(yè)性極強(qiáng)的文學(xué)作品有著天壤之別。蕭紅女士通過該書所要表達(dá)的那種對(duì)人性美的追求是值得我們這些青年好好細(xì)讀的。

And every work in this novel collection is worth reading. Whether it is "small town March" or "cry of the wilderness" and so on are totally different from today's fast-paced and prosperous world. It seems to take me into a different world, let me understand a custom, a culture, a society, a life Obviously, this kind of brushwork is quite different from today's highly commercial literary works. Ms. Xiao Hong's pursuit of the beauty of human nature expressed in the book is worthy of our young people's careful reading.

蕭紅女士的生命雖然如此短暫，但她卻給我們留下了寶貴的文學(xué)遺產(chǎn)——《小城三月》，一本懷舊經(jīng)典的小說，就像一杯陳年老酒，香濃四溢，使人回味無窮！

Although Ms. Xiao Hong's life is so short, she has left us a precious literary heritage - "small town March", a nostalgic classic novel, just like a glass of aged wine, with strong fragrance and endless aftertaste!