老祖宗給我們留下烏黑亮麗的秀發(fā)，卻有人對(duì)此不滿，硬生生地將頭發(fā)染成五顏六色，顯示自己多么新潮。說(shuō)好聽(tīng)的是“時(shí)尚一族”，說(shuō)難聽(tīng)點(diǎn)就是一群“假洋鬼子”。

Our ancestors left us beautiful black hair, but some people were dissatisfied with it. They dyed their hair into colorful colors, showing how fashionable they were. It's the "fashion group" that sounds good. It's a group of "fake foreign devils" that's hard to hear.

老祖宗給我們留下了廟宇佛堂供后人求神拜佛，卻有人靈機(jī)一動(dòng)，在廟門口支上張桌子：入廟收費(fèi)。老天爺，雖說(shuō)現(xiàn)在是商品經(jīng)濟(jì)時(shí)代，難道連佛祖也準(zhǔn)備下海經(jīng)商了？！

The old ancestor left us a temple and a Buddhist hall for later generations to pray for the gods and worship the Buddha. However, some people had an idea and set up a table at the gate of the temple: charge for entering the temple. God, although it's the era of commodity economy, are even Buddhas ready to go into business?!

更可氣的是當(dāng)人們拿自己頭發(fā)開(kāi)完刀，又借著佛祖的名義中飽私囊后卻仍然不知滿足，又將改革的矛頭直指中國(guó)傳統(tǒng)戲曲。

What's more exasperating is that when people finish cutting their hair and enrich their private pockets in the name of Buddha, they still don't know how to satisfy them, and they point the reform at traditional Chinese opera.

現(xiàn)在有人提出疑問(wèn)：“傳統(tǒng)戲曲非得傳統(tǒng)演嗎？”他們認(rèn)為“現(xiàn)在生活節(jié)奏如此之快，已經(jīng)沒(méi)有多少觀眾有耐心閉著眼睛坐在那里，邊聽(tīng)邊跟著哼上好幾個(gè)鐘頭了”。但是看戲嘛，本來(lái)就是去消遣的，要是趕著干什么急事兒，那么來(lái)看戲干什么？現(xiàn)在不也有許多年輕人去壓馬路，去喝咖啡，一逛、一喝就好幾個(gè)鐘頭，這時(shí)候他們?cè)趺床患绷四?？所謂“生書(shū)熟戲”，為什么老戲唱了那么多年還有人聽(tīng)，不就是沖著那“閉著眼睛坐在那里邊聽(tīng)邊跟著哼”的勁頭嘛？其實(shí)并不像有些人認(rèn)為的那樣“戲曲界的觀念要有所轉(zhuǎn)變了”，而是已有的觀念實(shí)在荒唐。的確，觀眾的審美情趣在提高，選擇的范圍在擴(kuò)大，他們完全有權(quán)利去看可看性極強(qiáng)的音樂(lè)劇或者在家里搜索電視頻道看電視連繼劇。但是難道因?yàn)檫@些原因就要把傳統(tǒng)戲改成和音樂(lè)劇一樣的玩意兒？觀眾喜好什么，就往傳統(tǒng)戲里放什么，那請(qǐng)問(wèn)“一批老觀眾”就喜歡老腔老調(diào)，你把傳統(tǒng)戲都改成別的了，拿什么給這些人看？誰(shuí)說(shuō)戲曲的生存就一定要隨時(shí)代的發(fā)展而發(fā)展呢？想來(lái)，流傳至今的戲曲哪個(gè)不是傳統(tǒng)劇目，那些胡編亂造的新編“戲曲”有哪些流傳下來(lái)了？

Now some people ask, "does traditional opera have to be performed?" They think that "now the pace of life is so fast that not many viewers have the patience to sit there with their eyes closed, listening and humming for hours.". But going to the theatre is for entertainment. If you are in a hurry to do something urgent, why do you come to the theatre? Now, there are many young people who go to the streets and have coffee for hours. Why are they not in a hurry? The so-called "raw books and familiar plays", why do people still listen to the old plays after they have sung for so many years? Isn't it because of the momentum of "sitting there with your eyes closed and listening while humming"? In fact, it's not like some people think that "the concept of the opera industry will be changed", but the existing concept is really absurd. Indeed, the audience's aesthetic taste is improving, and the scope of choice is expanding. They have full right to watch musicals with strong visibility or watch TV series on the home search TV channel. But is it because of these reasons that we need to change the traditional drama into the same thing as musical drama? What do the audience like and put in the traditional opera? A group of old audiences like the old tune. What do you show these people when you change the traditional opera into something else? Who said that the survival of opera must develop with the development of the times? In my opinion, which of the operas that have been handed down to this day are not traditional operas, and which of the new "operas" have been handed down?

現(xiàn)在的現(xiàn)象真的很可笑，最為土生土長(zhǎng)的中國(guó)人竟然對(duì)包含了中華民族幾千年文化傳統(tǒng)的戲曲怎么看怎么不順眼，整天想方設(shè)法地要對(duì)傳統(tǒng)戲曲進(jìn)行手術(shù)，想從其肚子里整出個(gè)怪胎、異型。你說(shuō)這些人是真的愛(ài)戲曲，想為戲曲找尋新出路嗎？另一邊他們卻像發(fā)了瘋似的擠長(zhǎng)龍買門票去聽(tīng)明星演唱會(huì)。倒是那些外國(guó)佬卻對(duì)中國(guó)傳統(tǒng)戲曲情有獨(dú)鐘，看的是如癡如醉，有的甚至不遠(yuǎn)萬(wàn)里，漂洋過(guò)海來(lái)到中國(guó)學(xué)習(xí)戲曲。對(duì)于自己文化的喜愛(ài)程度竟然不及老外！我們這些炎黃子孫難道不感到汗顏嗎？

Now the phenomenon is really funny. The most native Chinese people are not happy with the traditional opera which contains thousands of years of Chinese culture and tradition. They try to operate on the traditional opera all day long and try to make a freak out of its belly. Do you think these people really love opera and want to find a new way for opera? On the other side, they are like crazy to squeeze long dragons to buy tickets to listen to star concerts. However, those foreigners are fond of traditional Chinese opera. They are infatuated with it. Some of them even travel far and wide to study opera in China. I love my culture less than foreigners! Don't we Chinese people feel ashamed?

現(xiàn)在想想那些提出“傳統(tǒng)戲曲非得傳統(tǒng)演的嗎”的人們簡(jiǎn)直是在無(wú)理取鬧！這個(gè)問(wèn)題不就等于在問(wèn)“毛筆字一定要有用毛筆字寫(xiě)嗎？”。答案是肯定的。不用毛筆字寫(xiě)的字還叫毛筆字嗎？！不按照傳統(tǒng)演的戲還叫傳統(tǒng)戲嗎？！

Now think of those who put forward that "traditional opera must be performed by traditional opera" people are just making trouble! This question is not the same as asking "is it necessary to use brush to write?". The answer is yes. Is a word written without a brush still called a brush?! Is a play not performed according to tradition still called a traditional play?!

各位啊！我們已經(jīng)把老祖宗留下的東西糟蹋得差不多了！就讓我們放過(guò)戲曲這一方凈土吧！少動(dòng)些歪腦筋去改良戲曲，多想些辦法讓人們了解戲曲，喜愛(ài)戲曲，讓這種獨(dú)有中國(guó)文化、一代代原汁原味的傳統(tǒng)戲流傳下去。否則，如果老祖宗在天有靈，一定會(huì)從土里鉆出來(lái)，把我們統(tǒng)統(tǒng)掐死！

Everybody! We've almost ruined what our ancestors left behind! Let's let go of the pure land of Opera! We should try our best to improve the traditional opera, and try our best to let people know about it and love it, so that the traditional opera with unique Chinese culture and original flavor can be passed down. Otherwise, if the old ancestor has spirit in the sky, he will surely come out of the earth and strangle us all!