怨婦，還是幸運(yùn)兒

Complaining or lucky

她，款款挪移的碎步，悲涼的調(diào)子彌漫了天空。

She, the small steps of money moving, the sad tone filled the sky.

她，時(shí)而緊蹙娥眉，細(xì)氣輕調(diào)，時(shí)而甩袖輕揚(yáng)，悲歌微嘆；時(shí)而緊袖掩面，低聲稍啼……

She frowned, breathed softly, tossed her sleeves, sang plaintively, covered her face, and cried in a low voice

她，腦海中最深的記憶是個(gè)戴著枷鎖，滿面愁容的婦人。

She, the deepest memory in her mind, was a woman in chains and with a sad face.

她就是蘇三。

She is Su San.

遭遇不幸的她是可憐的，是個(gè)怨婦！含冤！受辱！---百口莫辯。一個(gè)婦人，竟如此的微不足道。背負(fù)著天大的冤屈，承擔(dān)莫須有的罪名，世道的不平與黑暗，昭雪的機(jī)率幾乎是零，如此多的悲哀像一塊塊飛石，投向這個(gè)走投無路的婦人……淚顏與愁眉，委屈與心酸，冤歌與憤曲……無不體現(xiàn)得淋漓盡致、動(dòng)人心扉、顫人心魂！

She is pitiful and a resentful woman in the face of misfortune! Wronged! Humiliated! ---There is no argument. A woman is so insignificant. Bear the great injustice and the unwarranted accusation, the injustice and darkness of the world, the chance of snow is almost zero, so many sorrows are like flying stones, thrown at this desperate woman Tears and frowns, grievances and heartaches, songs of grievances and indignation All of them are incisively and vividly reflected, touching and thrilling!

然而，人生如戲！

However, life is like a play!

戲的藝術(shù)，無非如此——以其戲悲而感其人悲，以其戲愁而感其人愁，以其戲怨而感其人怨，以其戲哀而感其人哀，以其質(zhì)轉(zhuǎn)折而動(dòng)人情之轉(zhuǎn)折。

The art of drama is nothing more than this: to feel people's sorrow with its drama, to feel people's sorrow with its drama, to feel people's sorrow with its drama, to feel people's sorrow with its drama, to move people's feelings with its qualitative turn.

蘇三“落難逢夫”，若無“落難”的凄慘，怎會(huì)有“逢夫”的難得？！戲是如此寫，人生又何嘗不是？先苦后甜，先悲后喜，才有了自然而然的“大團(tuán)圓”結(jié)局。所以，蘇三又是個(gè)幸運(yùn)兒。

Su San's "meeting a husband when he is in trouble", if there is no miserable situation of "being in trouble", how can there be a rare "meeting a husband"?! Drama is so written, life is not it? First bitter then sweet, first sad then happy, there is a natural "happy" ending. So Su San is a lucky man again.

蘇三這出京戲演出完了，細(xì)細(xì)嚼來，甚是回味無窮。

Su San's performance in Beijing Opera is over. He chews it carefully and has a lot of aftertaste.

我想，京劇之所以成為國粹，是因?yàn)樗茉谀菢拥哪甏谀菢拥奈枧_(tái)上，描繪出、塑造出多彩的、感性的理想社會(huì)，社會(huì)中的人以千變?nèi)f化的“臉譜”來詮釋世事的緣故吧。

I think the reason why Peking Opera has become the quintessence of China is that it can portray and shape a colorful and perceptual ideal society in such an era and on such a stage. People in the society interpret the world with the ever-changing "facial makeup".