導語：《穆斯林的葬禮》是以回族手工匠人梁亦清的玉器作坊奇珍齋升沉起伏為主線，在歷史的背景下描寫梁家三代人不同的命運變遷，表現(xiàn)了主人公為追求理想和事業(yè)，為完善自身素質所發(fā)出的蓬勃不息的命運意識。下面是yjbs作文網(wǎng)的小編為您收集整理的英語讀后感，希望對您有所幫助。

　　穆斯林的葬禮讀后感(1)

　　"Muslim funeral" is the hui female writer hoda novel, won the third maodun literature award. At this time because there's a general fuzzy impression so see more quickly. The author to set up a book with the mysterious religious background. Ably to jade and month as a clue throughout the whole novel, tells the story of a Muslim family, 60 years of ups and downs, three generations fate of ups and downs, two occurred in different times, have different content but again crisscross snarling love tragedy.

　　Islam Muslim and his followers for most readers is a mysterious thing, so it also attract me become a important factor. Saw one by one in the precise details of religious scenes, to understand the many customs about muslims. The author himself is a devout Muslim, but in the book, she did not deliberately deified religion, but with a kind of pure and fresh and smooth stroke slowly narrative, let the reader in the process of reading to produce a very pure feeling. At the same time another background of the book is the story took place in a family and jade. In traditional Chinese culture, jade is the symbol of elegant nobleness, more than the ancients to jade metaphor to describe his character, integrity. For example "than the gay coat that makes the gentleman in the jade". So full of faint reveals a kind of elegant quiet, laid-back atmosphere, but jade is also a kind of wealth, the gentleman's love of its quality, someone would, of course, also because of its value and make a disgusting thing. In this paper, the author respectively with "month" and "jade" as the clue, respectively describes the early of the republic of China before liberation and social recovery before the cultural revolution to the end of the cultural revolution across 60 years of history in the two periods. In the history of this period of complexity, whether it's positive portrayal of the two kinds of character conflict or side describe, all reveal the author's own distinctive hate feeling, the mood also deeply affect the readers' emotions. Turbulent society prone to tragedy, family rise and fall in 60 years change, three generations fate of ups and downs, finally is to be regretted love tragedy. Reflection can produce a kind of depressive mood, but hit the reader's mind, was a resonant happy, at the same time, make the person produces the historical deep thinking to the society. Is only the thin again has made me unsettled couldn't be quiet. Behind the large amounts of text, more let me see the value of knowledge, sister of jade two people, both because of different education, for love, the life has also produced. Her for the persistence of love, the longing for freedom, her bold, courageous and fearless, is reflected in the new period of China youth new breath! And, as the representative of a generation of women, brigitte son pedantic and backwardness, and the love of blind and clinging to life, and I have to sad for...

　　《穆斯林的葬禮》是回族女作家霍達的長篇小說，曾獲第三屆茅盾文學獎。這一次看時因為有了大體模糊的印象所以看的比較快。作者給全書設置了一個帶有神秘色彩的宗教背景。巧妙地將玉與月作為線索貫穿整部小說，講述了一個穆斯林家族，六十年間的興衰，三代人命運的沉浮，兩個發(fā)生在不同時代，有著不同內容卻又交錯扭結的愛情悲劇。

　　伊斯蘭教和他的信徒穆斯林對大多數(shù)的讀者來說是一個神秘的事物，所以這也成為吸引我的一個重要因素。在文中看到了一個個描寫細致的宗教場面，了解了有關穆斯林的許多風俗。作者本人是一個虔誠的穆斯林信徒，但在書中她并沒有故意神化宗教，而是用一種清新流暢的筆觸緩緩的記敘描繪，讓讀者在閱讀的過程中產(chǎn)生一種十分純凈的感覺。同時書中的另一個背景是故事發(fā)生在一個和玉器有關的家族中。在中國的傳統(tǒng)文化中，玉是風雅高潔的象征，古人多以玉來形容比喻自己的品德、氣節(jié)。例如有“君子比德于玉”。所以全文中隱隱流露出一種雅致寧靜，與世無爭的氣息，但是玉同時也是一種財富，君子愛其品質，當然也會有人因為其價值而做出令人不齒的事情。文中作者分別用“月”“玉”為線索，分別描寫了民國初期到解放前和文革前到文革結束社會復蘇的兩個時期跨越六十年的歷史。在這段復雜紛亂的歷史中，不管是對兩類人物沖突的正面描寫還是側面描寫，都流露出作者本人鮮明的愛憎之感，同時這種情緒也深深地影響著讀者的情緒。動蕩的社會中容易產(chǎn)生悲劇，六十年中家族興衰變遷，三代人命運沉浮，最終是一個個令人痛惜的愛情悲劇。讀后會產(chǎn)生一種壓抑的情緒，但卻觸及讀者的心靈，令人有蕩氣回腸的舒暢，同時使人產(chǎn)生對歷史對社會深沉的思索。僅僅是這單薄的一遍已經(jīng)令我的心緒久久無法得到寧靜了。在這大量文字的背后，更讓我看到了知識的可貴，姐妹情深的碧玉兩人，皆因為所受的教育不同，對于愛情，對人生竟也產(chǎn)生了天壤之別。玉兒對于愛情的執(zhí)著，對于自由的渴望，她的大膽，果敢與無畏，正體現(xiàn)了新時期中國青年的新氣息!而作為一代婦女的代表，碧兒的迂腐和落后，以及對于愛情的盲目和對于生活的依附，又是我不得不為之悲哀……

　　穆斯林的葬禮讀后感(2)

　　Novels written by very real, whether history, religion, arts and crafts, or people's feelings. Although I don't know about a lot of history, the Muslim religious culture, I don't know much, but finish reading this book, just think, a lot of things seem so real in front, big to a funeral, small to a piece of jade.

　　, "said the authors in the order of the hero and I live together. From morning till night and day and night. I joy and happiness for them, for their suffering and pain. I have to and I separated. When I send them one by one from the world, I was unbearable with life and death to leave." In the story, however, still want to leave, one after another, lined up and slowly to leave. Tragedy is inevitable.

　　The deepest impression is that tze-ki hon in London to send home to the letter. A letter, but also is simply a word - "we are still alive. You still alive?" Still alive... In such a turbulent years of the war, written letter is such, so greetings, my in the mind a burst of sad, a drop of tears to fall.

　　In the thick book, you can see two generations of beautiful love, see the love of the helpless and sad. Sometimes we are really in love with, but also because of love, would feel helpless, make something hurt others also hurt yourself.

　　小說寫的很真實，無論是歷史，宗教，手工藝，還是人的感情。雖然有關很多歷史我都不太清楚，穆斯林的宗教文化我也不甚了解，但是看完這書，就是覺得，很多東西好像就那么真真切切的放在面前，大到一個葬禮，小到一塊玉。

　　作者在后序中說，“我和主人公一起生活。每天從早到晚，又夜以繼日。我為他們的歡樂而歡樂，為他們的痛苦而痛苦。我已經(jīng)舍不得和我的人物分開。當我把他們一個一個地送離人間的時候，我被生死離別折磨得痛徹肺腑。”然而故事中的人，還是要離開，一個又一個，排著隊似的，不緊不慢地離開。悲劇故事都不可避免的如此。

　　印象最深的是，韓子奇身處英國倫敦時給家里寄去的那封信。說是一封信，卻也只是簡單的一句話——“我們還活著。你們還活著嗎?”還活著嗎……在那樣一個戰(zhàn)爭動亂年間，信竟然是這樣寫的，如此的問候，我心里一陣凄涼，一滴眼淚往下落。

　　在這本厚重的書里，可以看到兩代人的凄美愛情，看到愛情中的無奈和悲哀。有時候我們確實是愛著的，但也因為愛著，才會感到無奈，做出些傷到別人也傷到自己的事。

　　穆斯林的葬禮讀后感(3)

　　"Muslim funeral" is the hui female writer hoda novel, won the third maodun literature award. At this time because there's a general fuzzy impression so see more quickly. The author to set up a book with a mysterious religious background, the story took place in a Muslim family. Islam and his followers muslims for most of our readers is a mysterious thing, so it also attract me become a important factor. Saw one by one in the precise details of religious scenes, to understand the many customs about muslims. The author himself is a devout Muslim, but in the book, she did not deliberately deified religion, but with a kind of pure and fresh and smooth stroke slowly narrative, let the reader in the process of reading to produce a very pure feeling.

　　At the same time another background of the book is the story took place in a family and jade. In traditional Chinese culture, jade is the symbol of elegant nobleness, more than the ancients to jade metaphor to describe his character, integrity. For example "than the gay coat that makes the gentleman in the jade". So full of faint reveals a kind of elegant quiet, laid-back atmosphere, but jade is also a kind of wealth, the gentleman's love of its quality, someone would, of course, also because of its value and make a disgusting thing. In this paper, the author respectively with "month" and "jade" as the clue, respectively describes the early of the republic of China before liberation and social recovery before the cultural revolution to the end of the cultural revolution across 60 years of history in the two periods. In the history of this period of complexity, whether it's positive portrayal of the two kinds of character conflict or side describe, all reveal the author's own distinctive hate feeling, the mood also deeply affect the readers' emotions. Turbulent society prone to tragedy, family rise and fall in 60 years change, three generations fate of ups and downs, finally is to be regretted love tragedy. Reflection can produce a kind of depressive mood, but hit the reader's mind, was a resonant happy, at the same time, make the person produces the historical deep thinking to the society.

　　《穆斯林的葬禮》是回族女作家霍達的長篇小說，曾獲第三屆茅盾文學獎。這一次看時因為有了大體模糊的印象所以看的比較快。作者給全書設置了一個帶有神秘色彩的宗教背景，故事發(fā)生在一個穆斯林的家族中。伊斯蘭教和他的信徒穆斯林對我們大多數(shù)的讀者來說是一個神秘的事物，所以這也成為吸引我的一個重要因素。在文中看到了一個個描寫細致的宗教場面，了解了有關穆斯林的許多風俗。作者本人是一個虔誠的穆斯林信徒，但在書中她并沒有故意神化宗教，而是用一種清新流暢的筆觸緩緩的記敘描繪，讓讀者在閱讀的過程中產(chǎn)生一種十分純凈的感覺。

　　同時書中的另一個背景是故事發(fā)生在一個和玉器有關的家族中。在中國的傳統(tǒng)文化中，玉是風雅高潔的象征，古人多以玉來形容比喻自己的品德、氣節(jié)。例如有“君子比德于玉”。所以全文中隱隱流露出一種雅致寧靜，與世無爭的氣息，但是玉同時也是一種財富，君子愛其品質，當然也會有人因為其價值而做出令人不齒的事情。文中作者分別用“月”“玉”為線索，分別描寫了民國初期到解放前和文革前到文革結束社會復蘇的兩個時期跨越六十年的歷史。在這段復雜紛亂的歷史中，不管是對兩類人物沖突的正面描寫還是側面描寫，都流露出作者本人鮮明的愛憎之感，同時這種情緒也深深地影響著讀者的情緒。動蕩的社會中容易產(chǎn)生悲劇，六十年中家族興衰變遷，三代人命運沉浮，最終是一個個令人痛惜的愛情悲劇。讀后會產(chǎn)生一種壓抑的情緒，但卻觸及讀者的心靈，令人有蕩氣回腸的舒暢，同時使人產(chǎn)生對歷史對社會深沉的思索。