仙居古鎮(zhèn)的路是泥濘的，雨天幾乎難走人；仙居古鎮(zhèn)的路是狹窄的，小車幾乎難?？?；仙居古鎮(zhèn)的路是冷清的，行路幾乎難遇人。

The road of Xianju ancient town is muddy and hard to walk in rainy days; the road of Xianju ancient town is narrow and the car is hard to stop; the road of Xianju ancient town is cold and hard to meet people.

我獨(dú)自在古鎮(zhèn)走著，一座高大寬闊的古園吸引了我。跨過半膝高的門檻，展現(xiàn)在我眼前的是一別致的戲臺(tái)?！芭?，是戲院。”

I walk alone in the ancient town, a tall and broad ancient garden attracted me. Across the half knee high threshold, what unfolds in front of me is a unique stage. "Oh, it's the theater."

五丈高的戲臺(tái)，散發(fā)著神秘的而古樸的氣息，我忍不住東張西望，左摸右敲。

Five Zhang high stage, exuding a mysterious and simple atmosphere, I can't help looking around, left touch right knock.

“喂，你干什么？！”

"Hey, what are you doing?!"

我猛一回頭，驀地發(fā)現(xiàn)戲臺(tái)下已是人山人海。喝茶的，嗑瓜子的，聊天的，拉二胡的……有頭發(fā)花白的老人，身強(qiáng)力壯的青年，衣著高貴的富人，衣衫襤褸的窮人……戲臺(tái)上方，依然人如云煙。很多人都在上方伸著腦袋，似乎在等待些什么。孩子們?cè)谌巳褐墟覒虼螋[，一片嘈雜；鄰邊兒有個(gè)大媽，同樣在向外張望，還嗑起了瓜子，一個(gè)勁兒地往下吐。臺(tái)下的人都好不情愿地看瓜子殼零零落落地往下掉，一下子翻了臉，吵得不可開交，到處是鬧哄哄的一片。

I suddenly look back, suddenly found that the stage has been a sea of people. Tea drinkers, melon eaters, chatters, erhu pullers The old man with grey hair, the strong young man, the rich man in noble clothes, the poor man in rags Above the stage, people are still like clouds. A lot of people are holding their heads up, as if waiting for something. The children were playing in the crowd and making a lot of noise. There was a big mother next door who was looking out and was still chewing melon seeds and vomiting all the time. People under the stage were reluctant to see the melon seed shells falling, turned their faces all of a sudden, and there was a lot of noise everywhere.

“嗆嗆嗆嗆一噌——”全場驟然鴉雀無聲。我也慌忙后退了幾步，想探個(gè)究竟。只見一個(gè)“紅眼”俏女邁著扭捏的碎步出場了。著裝很是簡單，僅陳舊破爛的戲服，臉上幾抹淡淡的妝術(shù)，便繪成了一個(gè)角色。她先是用手在臉上遮遮掩掩的，之后竟然在原地兜起了圈子，白色的大褂，跟著她飄。耳邊響起一陣如雷掌聲。臺(tái)下一人大吼：“祝英臺(tái)，好！”

"Choking, choking, choking, choking, choking and choking" -- the whole audience was suddenly silent. I also hurriedly backed up a few steps to find out. Only see a "red eye" pretty woman with a twist of the step out. Dress is very simple, only old and ragged costumes, a few light make-up on the face, then draw a role. First she covered her face with her hands, and then she even went around in circles. The white coat floated with her. There was a thunderous clap in my ear. "Zhu Yingtai, good!" shouted the audience

原來是“梁祝”，我擦亮了眼。

It turned out to be "Liang Zhu". I polished my eyes.

祝英臺(tái)蹺著蘭花指左一點(diǎn)，右一指，那表情極為夸張，紅色的粉底反襯著柳般細(xì)目，櫻桃小嘴念著歌樣的戲詞，慢慢吟唱著，一個(gè)字似乎拖上了幾分鐘。那永遠(yuǎn)捕捉不到的眼珠子羞答答轉(zhuǎn)著。

Zhu Yingtai looked at the orchid flower, pointing to the left side and pointing to the right side. The expression was very exaggerated. The red foundation was lined with willow details. The words of the cherry mouth were singing slowly, singing slowly, and the word seemed to drag on for a few minutes. The eyes that can never be caught turn with shame.

許久，“藍(lán)袍”俊生大模大樣從后臺(tái)繞出來，和著祝英臺(tái)的曲調(diào)唱起來，唱得剛強(qiáng)有力。想必此人就是梁山伯。

For a long time, Junsheng of "blue robe" came out of the background in a big way and sang with Zhu Yingtai's tune, which was just and powerful. It must be Liang Shanbo.

若祝英臺(tái)是柔美，他則是剛毅，兩者結(jié)合就是纏綿。場下幾十個(gè)人都激動(dòng)地吼起來，掌聲似乎從未停過。

If Zhu Yingtai is gentle, he is resolute, and the combination of the two is lingering. Dozens of people roared excitedly, and the applause never seemed to stop.

“喂，孩子你在干什么呢？發(fā)什么呆呀？”

"Well, what are you doing, son? What are you doing? "

我恍惚了一下，驟驚。戲曲聲停了，掌聲停了。臺(tái)上臺(tái)下所有人都似乎與梁祝一同“化蝶”了，就連那住大媽吐得一地的瓜子殼都不翼而飛了。

I was in a trance and shocked. The opera stopped, the applause stopped. All the people on and off the stage seemed to "Butterfly" together with Liang Zhu, even the melon seed shell that lived in the place where Aunt spits out disappeared.

整所園子依舊冷清冷清的，泥濘泥濘的。

The whole garden is still cold and muddy.

惟剩下眼前這個(gè)并不相識(shí)的百歲老人茫然的眼神。

Only the blank eyes of the unknown centenarian.

我問這里過去干嗎用，他說表演越??；我又問這里現(xiàn)在干嗎用，他說這是他們住的地方。

I asked why it used to be used here. He said to perform Yueju Opera. I asked why it is used now. He said it's where they live.

據(jù)說，留守下來的除上百歲老人便是不滿十歲的孩童，壯年男女都去了新城。隨著時(shí)間的流逝，這里的人越來越少。沒人聽?wèi)騽?，戲臺(tái)也成了沒用的東西了。

It is said that the remaining 100 year old people are children under the age of ten, and the young men and women have gone to the new city. As time goes on, there are fewer and fewer people here. Nobody listens to the drama, and the stage is useless.

但是無論再殘舊、泥濘、冷清……久經(jīng)歲月的滄桑的一磚一瓦見證了戲曲藝術(shù)舊時(shí)的輝煌。臺(tái)下現(xiàn)在只有一個(gè)年逾古稀的老人和一個(gè)年幼的我，在傾聽著若隱若現(xiàn)的吟唱聲……

But no matter how old, muddy, cold The bricks and tiles of the long history witnessed the brilliance of the traditional opera art. Now there is only one old man and one young me listening to the faint singing